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Album Reviews: INFERNAL STRONGHOLD – GODLESS NOISE (2009)
Album ReviewsBLASPHEMER METAL PUNK! This is an album that can blow the your mind! Formed in 2002, Infernal Stronghold cursed & destroyed all the curches and raped the gods with their flawless mixture of blasphemic black metal and punk. They were influenced by 90's black metal and dark Sweedish crust; early Sodom, early Darkthrone, early Mayhem, Impaled Nazarene, Hellhammer, Blasphemy, Bathory, Katharsis, Anti-Cimex, Disclose, Discharge etc. And with their lyrics talking about brainwashed minds, how bullshit the religion is, calling god dog, breaking into the churches with big trucks, the band distinguish from most of the other neo-crust bands. Basically a DIY punk band playing venomous punk/black metal.

The songs are short, and the album lasts 26 minutes. The production is qulified, but not synthetic or polished. The leading melodies in the songs often remind the ones in Transilvanian Hunger, especially in "Crippling Blasphemous Persistence" and "Crashing Trucks into Churches". They are the most "black meta" tracks in the album. On the other hand, there are more punk-influenced songs like "Taghut" or the last song "Buried by Grime & Crust". Especially the Buried revives the Sweedish Hardcore. Although the songs are fast & furious by the aid of blast-beat assault of drums, there are some slow, dark and doomy passages, too. If you like bestial black metal with some thrash metal & punk influences, this album is just for you.
Gönderen: BluesForAllah Tarih: 14.07.2014 Saat: 22:02
(Read More... | 1671 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: EVIL BLOOD – MIDNIGHT IN SODOM (1989)
Album ReviewsI've always been concerned with middle and eastern Europe's gloomy and mysterious myths. We cannot expect a different kind of music from a region whose literature and movies are hand in glove with occultism and satanism. Influenced mostly by bands like Motörhead, Venom, Exciter and Kill'em All era Metallica, Evil Blood was formed in 1982 before Crotia's departure from Yugoslavia and it's the first thrash metal of both Yugoslavia and today's Crotia. This demo, Midnight in Sodom, was recorded in 1984 but wasn't able to be released until 1989. Now we have a recording that is too extreme for its era especially in terms of lyrics.

Evil Blood takes its power from Venom and its darkness & evil sound from Mercyful Fate. Broadly, the sound is a combination of rough speed metal and primitive, evil thrash metal. The production is lo-fi, but it makes the record sound more diabolic. The vocals are not so powerful, the vocalist has not that power anyhow but he stresses just in time and has an demonic vocal style. The guitar sounds are creaking, shrill and you sometimes hear dark blues solos reminding Black Sabbath. Composition and melodies are really depressive, hellish and satanic. In brief, with its low production and gloomy atmosphere, this demo is a real cult.
Gönderen: BluesForAllah Tarih: 14.07.2014 Saat: 21:54
(Read More... | 1524 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: RUDIMENTARY PENI - DEATH CHURCH (1983)
Album ReviewsRudimentary Peni is one of the weirdest bands ever. You can’t categorize them, it sounds like an anarcho-punk but it’s not utterly. In spite of their political lyrics, it’s more appropriate to label them as a deathrock band. Most of the lyrics in the album are about death, darkness, despair and suicide. And the cover art is Nick Blinko’s own drawing.

There are influences of British punk, especially Crass but you can also smell an intense gothic atmosphere. There is not a single happy moment in this 21-song album; no hopeful lyrics, no cheerful melodies. The bass guitar was used as the leading instrument in most of the songs and they are so chaotic and gloomy. The rhythm is rarely changing, every song is played in depressing minor keys. The songs’ lenght are 1.5 minutes in average. Blinko’s vocals sounds like he's a man in a mental hospial. Actually, Nick Blinko was in there once. It probably influenced somberness of the album. This is one of the darkest, most desperate, disturbing records of all the punk history, and a true cult.
Gönderen: BluesForAllah Tarih: 14.07.2014 Saat: 21:46
(Read More... | 1305 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: THE VARUKERS - ANOTHER RELIGION, ANOTHER WAR (1984)
Album Reviews What you should expect from a d-beat/hardcore punk band is obvious. It offers you lots of aggressiveness, raw music, and the bitter truth with sometimes sarcastic, sometimes critical, sometimes angry attitude. In this case The Varukers is a real hardcore punk band, in fact a real legend. They tell that truth with critical manner in this record. They shout the reasons –the most efficient one is religion- and the consequences of war furiously. There are harsh, raw and pissed off punk vocals, filthy, primitive and fast guitars, d-beat punk drumming and hard bass lines. There are also influences of Motörhead and Discharge, especially on solos and drumms. It may be the most brutal and characteristic album of The Varukers. Actually, the title and the cover says it all. Religion is bullshit, it only brings shit.
Gönderen: BluesForAllah Tarih: 14.07.2014 Saat: 21:37
(Read More... | 1061 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: WEEKEND NACHOS - WORTHLESS (2011)
Album Reviews I wrote 3 or 4 different sentences to start writing about Weekend Nachos but I couldn't find anything proper, maybe because of the name haha. These guys are fucking mad! They progress on every record and Worthless is probably their masterpiece. Their style and sound is distinctive compared to most of the other powerviolence bands. You can hear influences of youth crew, death metal acts like Entombed, late-Carcass and sludge like Eyehategod besides of classic powerviolence and grindcore. And this album is a fascinating combination of all these genres. It sounds innovative yet old school.

Although there is an intense sludge influence, there are no longstanding songs except the 7-minute last track, "Future". The rest of the record is pounding with with a sledgehammer. The excessive rage of the album may make you punch someone you hate in the face. About the sound, the guitars have the thick sound of Entombed and Carcass while vocals and drums sound more grindcore-influenced. You can sometimes hear some rock'n'roll/punk solos like Motörhead and Discharge. The first song "Hometown Hero" is an exact example for this. My favourite song in the album is "Old Friend's Don't Mean Shit" owing to the lyrics and drilling fast music but the whole album is a favourite anyway. It is stimulating.
Gönderen: BluesForAllah Tarih: 14.07.2014 Saat: 21:28
(Read More... | 1532 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: SKITKIDS – BESÖKET VID KRUBBAN (2007)
Album Reviews I guess the Marshal (Lemmy) tasted his Jack Daniels as daily, and he took his crew and said that “come on guys we’re recording a Crust album!” however he included Poffen (Totalitar) for vocals, and they entered the studio suddenly. You can think what this guy tell us. But the extremely rock’n’roll/crust dose of Skitkids causes I think that. With the plenty of adrenalin and hatred, you’ll be offered by a razor-sharp, fast, loud, funny record which is the combination of rock and roll, crustcore d-beat, thrash metal these guys performed. The vocals are reminiscent of Swedish hardcore legends Totalitar with old-styled angry screams and screeches. Great toned drum makes d-beat assault, it has powerful sound, the bass is groaning, melodic rock’n’roll leads and Fast Eddie-like guitar solos cause to lose yourself. The lyrics are based to socio-political issues with sarcastic expressions, the routine life of society, banal ideas, or criticize the punk stars of today. Classic Swedish D-Beat/Hardcore 's rock'n'roll excellence is in your blood with a high dose. Motorhead, AC DC structured rock’n’roll solos in "Weekday Suger Rov" (like listening to Ace Of Spades) is cool, and tracks such as "Viist E Jag Lycklig", "Svinahunden" bomb you with Totalitar d-beats. Skitkids makes noise for you, this is one of the best crust/rock 'n'roll records in recent years.
Gönderen: Sodom Tarih: 14.07.2014 Saat: 19:25
(Read More... | 1557 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: DISMA - TOWARDS THE MEGALITH (2011)
Album Reviews The infernal fog covered over the cemeteries. The ceremonies of blasphemy began and the unholy bodies prepare to revive and blow a cold kiss of hell. The place is the city of New Jersey where Misfits started to show the horror face of punk by the inspiration of zombies from the cemeteries of New Jersey, now Disma of the same region show the ancient death metal’s punch and crawling that was inherited from the early 90s. First full-length is like taking breath the exhaust gas of the sevenfold lower of hell into your veins while your brain is being eaten by the graveworms cause of Disma’s creepy low-tuned guitars, crusher and sweeper vocals, generally ominous sound that chokes your ears. You’ll really be lost in the burial fog or, you’ll really live the chaos apparition like they said. Of course, such a stuff shouldn’t be surprise, because in the work of genius, Craig Pillard (ex-Incantation, Evoken) is there. The album completely changes between slower tempo and sometimes fast-paced destruction, it’s unbelievably heavy and darkened, chaos dominates you in every sections. The riff oriented tracks have the damned chaos, the guitarists Venner and Kahan deliver the riffs of the deep hell in the name of darkest death metal, and Craig Pillard’s profound growls depress you like a nightmare. Their variety approach in the songwriting perfectly complete all the madness.
Gönderen: Sodom Tarih: 14.07.2014 Saat: 19:21
(Read More... | 2988 byte kaldı | Album Reviews | Puan: 0)
Underground Noise: SARCOFAGO "And The Desecration Begins..."
Underground Noise Like to describe them as “Brazilian Sodom” everytime, although the academician guy Wagner does not want to remember the old days anymore. Yeah, I think most of the people have heard Kaos Kommando in the style of cult Finnish hardcore punk like Terveet Kadet, if you remember the live bootleg “Nights In Hell” then you will know they were covering two Terveet kadet songs.

There were the marks of first true desecration with the forming of Sarcofago and Sepultura in South America, so the barbaric devil-worshipping metal began to fill the veins with hellish poison then we can tell the bastard youth of today that they have a great sign on almost many extreme metal bands nowadays. Especially bestial metal bands such as Von, Beherit, Blasphemy showed them as key influence on their music.

Sarcofago was founded in 1985 in Belo-Horizonte under the flag of satanism, perversion, sex, alcoholism, and especially anti-Christianity that have the biggest influences to create their ideas to write lyrics, and the music in the early demos “Satanic Lust”, “The Black Vomit”, “Christ's Death” so the underground metal scene would meet with a band that had the brutal devil metal rules in the future!!! Hell metal acts of the era such as Venom, Hellhammer, Celtic Frost, Sodom, Destruction, Possessed, Bathory were the key influences, after the agreement with Cogumelo Records, the debut full-length “INRI” (1987) was made to dedicate the brutal spirit of Satan, and desecrated all the divinities. Devilish and dark atmosphere, pure growls and screams, muffled sound effects, simplistic and accursed primitive speedy-black metal riffs that were possessed by devil and close to the German Thrash metal witching emerged a primitive black metal album that has done a menacing rise.
Gönderen: Sodom Tarih: 14.07.2014 Saat: 19:17
(Read More... | 3923 byte kaldı | Underground Noise | Puan: 0)
Underground Noise: RAZOR (Canadian Loudness Of Speed Metal)
Underground Noise Properly if the record compaines supported them with more attentive face then this band would be better than their current point. Razor always kept the real spirit in thrash metal, they have always played pure thrash to crack your head. Formed in 1983 in the city of Ontario by Dave Carlo (guitar), Stack "sheep dog" McLaren (vocals), Mike Campagnolo (bass) and Mike "M-Bro" Embro (drums), they have inspired many bands in Thrash and more extreme metal scenes. Influenced from Motörhead, Slayer, Venom, Judas Priest, Exciter and the others, they have eight albums in their discography, but although they did such plentiful records, their value has been known more with retro-thrash explosion in recent years.

After they were formed, the 2 demos appeared and "Armed And Dangerous" EP was recorded and released limited to 1200 copies. But they would need a reliable record company so they signed with Canada’s Attic Records, and three consecutive full-lengths "Executioner's Song" (1985), "Evil Invaders" (1985), "Malicious Intent" (1986) were released through same company. The first album, "Executioner's Song" provide to prove themselves with the aggressive style, this made to gain a brand-new fan base. “Evil Invaders" was more brutal by Stace McLaren's increasingly high-pitched vocals and screams and guitarist Dave McLaren's razor-sharp riffs which volley the listeners, it was the more attack-oriented album. During this period, they toured with the bands like Motörhead, Venom, Slayer including Canada, U.S.A., they filmed a video clip for the title track, so it was one of the first Speed Metal clips in the world.
Gönderen: Sodom Tarih: 14.07.2014 Saat: 18:30
(Read More... | 4254 byte kaldı | Underground Noise | Puan: 0)
Album Reviews: SEA OF DEPRIVATION – CATHARSIS IN DISHARMONY (2000)
Album Reviews TOTAL HATE, TOTAL FURY!!! First of all, I won’t write much about this record because if I do, Phil Hansford may come from hell and kill me. Yes, Sea of Deprivation is one of the most dangerous, angry and despiser bands ever. They were active from 1997 to 2000 and this is their only record. They played quite Dystopia-influenced crust/sluge/grindcore. Apart from Dystopia, there are influences of Carcass, Assück, Disrupt, ABC Diabolo and Nausea. While the song structures are changing between mid and fast tempo, brutal and screaming vocals are shared. There is a considerable sludge influence but I'd rather call it a grindcore record. The songs are full of hatred but you feel the suffering when you hear the screaming. The opening song "Hell Hath No Fury" is a furious song with crusty sludge riffs mostly going on mid-tempo. "Eco-Catastrophe", "Who's the Fucking Criminal", "The Cycle of Misery" are other outstanding songs of the album. My favourite is "You Fucking Jerk", a Dystopia-Disrupt-Carcass hybrid with brutal/scream vocals, Carcass-influenced guitar riffs, and beating blasts. The last song is "Domestic Prison", a Disrupt cover.

"NO, YOU'RE NO FRIEND OF MINE, JUST ANOTHER FUCK FACE I MUST DEAL WITH!!!"
Gönderen: BluesForAllah Tarih: 07.07.2014 Saat: 14:04
(Read More... | 1491 byte kaldı | Album Reviews | Puan: 0)
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