Talking about the legendary devils of Sweden, you might wonder why they haven’t released any new record since 2007’s Envoy Of Lucifer. Well, it’s well-known that Nifelheim is not a very productive band. They have been active for about 20 years, and if we want to point to the most important band representing black/speed metal after the ’90s, it’s definitely Nifelheim.
Released in 1997, Devil’s Force is, to me, their most powerful record. Their sound is rooted in the speed/thrash/black metal blend, drawing heavily from the cult thrash metal era of the ’80s and black metal’s pure blasphemy and hatred dedicated to Satan—an unholy fusion forged in hell. It’s worth noting that the album features guest guitarists Jon Nödtveidt (R.I.P.) and Jon Zwetsloot from Dissection.
The fast-structured tracks, built around speed metal foundations, deliver thrashy riffs, blackened thrash vocals, and violent, aggressive drumming that gallops listeners straight into hell. The loud and pounding drums and percussion are a key factor in achieving this destructive intensity. The album also includes great speed metal solos that scream and storm through the mix, matching the vocalist’s possessed, savage, and filthy shrieks from the depths of hell.
Naturally, you hear influences from Venom, Sodom, Slayer, Tormentor, Bathory, Destruction, Dark Angel, and others—but there are also distinct NWOBHM moments woven into the tracks. Regarding production, it’s as raw as possible. Had it been released in later years, say 2007, it might have sported a more powerful, polished production.
My personal favorite is “Satanic Mass,” with its melodic and echoing solos reminiscent of ’80s speed metal and NWOBHM styles, complemented by a cool rhythm guitar tone. “Final Slaughter” is an absolutely killer track that starts with heavy, grinding guitars, bass, and drum beats that kick your ass. All these elements serve as messengers of an evil ambience filled with chaos, haunting atmosphere, and unholy buzzing. The track ends with Hellbutcher’s satanic laughs and screams.
The riffing becomes darker in “Desecration Of The Dead,” featuring a doomy instrumental part and the beginning of a hellstorm of drum attacks. The last track, “Hellish Blasphemy,” was included in the 1997 movie Gummo—a film that also features tracks from Bathory, Mystifier, Brujeria, Burzum, and other bands. Don’t ask about the connection; it’s a cult classic of chaotic sounds.
Devil’s Force remains one of the most memorable and epic albums of the ’90s. It is a true masterpiece in worshipping the devil through blackened speed-thrash metal. Highly recommended if you haven’t listened to it yet.